BEHIND THE CURTAIN: A Q&A with Thomas Hischak
What sparked the idea for this play?
I like the idea that we change and adapt our conversation to whomever we are with. I wanted an extreme example of this so I created the “chameleon” princess.
If you had to describe this play in three words, what would they be?
Funny, silly, thought-provoking
Which character was the most fun to write and why?
The over-zealous Queen, because she is so over the top.
Is there a moment in the play you especially love seeing in rehearsal or performance?
The first encounter Princess Zena has with the Scholar and her reaction to his reactions.
What do actors seem to enjoy most about performing this show?
The obnoxious Queen and her daughters.
What’s something directors should know before staging this play?
It’s all talk, too little action. So keep it moving.
What was the biggest challenge in writing this play?
Keeping the talk lively and funny.
What do you hope audiences walk away feeling?
Happy, satisfied.
Just for fun: If this play came with a warning label, what would it say?
Warning: wacko princesses!
Anything else you’d like to share with theatres considering this play?
Have fun with this by keeping it all moving.