BEHIND THE CURTAIN: A Q&A with Thomas Hischak
What sparked the idea for this play?
It was originally written for two actor friends of mine to play all the characters (male and female) and show off their versatility.
If you had to describe this play in three words, what would they be?
Funny, touching, entertaining.
Which character was the most fun to write and why?
The crass American vocal coach Sam Kaufman in the second sketch. He is so down-to-earth to the point of being rude.
Is there a moment in the play you especially love seeing in rehearsal or performance?
The ending of Belles of the West End. I think it is rather touching and sad even.
What do actors seem to enjoy most about performing this show?
If you double or triple the roles, it gives actors a chance to illustrate their versatility.
What’s something directors should know before staging this play?
Do not let the set-up times for each sketch be too long. Keep the furniture simple and the play moving.
What was the biggest challenge in writing this play?
Writing broad characters yet allowing for some sincerity and realistic qualities
What do you hope audiences walk away feeling?
A variety of emotions, from laughter to a tearful reaction.
Just for fun: If this play came with a warning label, what would it say?
Expect the ridiculous and the sublime when you enter the world of the theatre!
Anything else you’d like to share with theatres considering this play?
Keep the plays moving!